What’s new on AHT?
Almost Halloween Time Records is a one man label, if Luigi is painting, nobody can write newsletters. So I’m taking a break from painting to let you know that: The
Category: Good Horsey
Capozzi Park live at CITR
Mark about the session: “How to commemorate the re-release (first time on vinyl!) of the only album by a band that broke up over twenty years ago? How about a
Capozzi Park live at CFRO
A message from Mark: “How best to promote the re-release (for the first time on vinyl) of the only album by a band that broke up over twenty years ago?
Capozzi Park live at KSPC
In one of my previous lives I collected bootlegs and live recordings. It has just appeared a Capozzi Park radio session. Listen it here. A priceless discovery. If you have
The Record Of Capozzi Park
From a transcript of an interview recorded for a Simon Fraser University research project, on public gardens in the Strathcona neighborhood. …Lorraine-I have a couple more questions about parks. Is
“At one point I was thinking of including even more occupation songs” (Mark Szabo)
Former Horsey Honcho Masters Musical Economy Georgia Straight October 2000 (?) by Shawn Conner Considering the number of songs on his solo debut that are about different occupations, Mark Szabo appears
Continue reading…“At one point I was thinking of including even more occupation songs” (Mark Szabo)
“I’m sorry” (Mark Szabo)
THE DRIPPY GAZZETTE November 1999 by Robert Dayton, photos by Serena McCarroll See that photo of Capozzi Park (l to r: Steve, Marcy, Mark, Scott, Max) above? Well, it was
“No I never called you a hag.” (Mark Szabo)
MARK SZABO CAPOZZI PARK Discorder March 2002 by Christa Min My favourite Mark Szabo song goes something like this: “‘Tell me what you remember,’ I’ll think of the smell first
Continue reading…“No I never called you a hag.” (Mark Szabo)
Cop
Performed by Mark Szabo a few days ago. “Chocolate Covered Bad Things” by Mark was originally released over 22 years ago. In celebration of the recent Almost Halloween Time Records
“Ten million people may have bought Meat Loaf’s Bat Out of Hell, but maybe only ten thousand people got it. Most pop music is made to be just far enough ahead of the cusp that it finds its moment, but it’s more important to me to make a record that you can listen to for years….You hope people will buy it, and let it make them sad when they need to be sad.” (Mark Szabo)
DRIVE ME TO THE PARK Puncture Fall 2000 by Franklin J. Bruno Good Horsey hardly made a splash in the early-’90s indie pool — but those who heard them never
